Bibliography by Topic

• Theoretical Issues of Musical Meter and Rhythm
  • [1] Jeanne Bamberger., The Mind Behind the Musical Ear: How Children Develop Musical Intelligence.
  • [2] Manfred Clynes., Some guidelines for the synthesis and testing of pulse microstructure in relation to musical meaning.
  • [3] Grosvenor Cooper and Leonard B. Meyer., The Rhythmic Structure of Music.
  • [5] Peter Desain and Henkjan Honing., The quantization of musical time: A connectionist approach.
  • [6] Peter Desain., A (de)composable theory of rhythm perception.
  • [8] David Epstein., Shaping Time: Music, the Brain, and Performance.
  • [10] Paul Fraisse., Rhythm and tempo.
  • [11] Robert O. Gjerdingen., Meter as a mode of attending: A network simulation of attentional rhythmicity in music.
  • [14] Stephen Handel., Using polyrhythms to study rhythm.
  • [15] Stephen Handel., Listening: An introduction to the perception of auditory events.
  • [17] M. R. Jones and M. Boltz., Dynamic attending and responses to time.
  • [18] Mari Reiss Jones., Attending to musical events.
  • [19] Edward W. Large and J. F. Kolen., Resonance and the perception of musical meter.
  • [20] Fred Lerdahl and Ray Jackendoff., An overview of hierarchical structure in music.
  • [21] Justin London., Some examples of complex meters and their implications for models of metric perception.
  • [30] Bruno H. Repp., Composers' pulses: Science or art?
• Theoretical Issues of Time and Periodicity in Mechanical Systems
  • [7] Jeffrey L. Elman., Finding structure in time.
  • [8] David Epstein., Shaping Time: Music, the Brain, and Performance.
  • [12] H. Haken, J.A.S. Kelso, and H. Bunz., A theoretical model of phase transitions in human hand movements.
  • [17] M. R. Jones and M. Boltz., Dynamic attending and responses to time.
  • [18] Mari Reiss Jones., Attending to musical events.
  • [26] Michael C. Mozer., Neural net architectures for temporal sequence processing.
  • [28] Robert F. Port, Fred Cummins, and J. Devin McAuley., Naive time, temporal patterns, and human audition.
  • [29] Dirk-Jan Povel and Peter Essens., Perception of temporal patterns.
  • [31] G. Schoner and J. A. S. Kelso., Dynamic pattern generation in behavioral and neural systems.
  • [32] Timothy van Gelder and Robert F. Port., It's about time: An overview of the dynamical approach to cognition.
• Perceptual and Developmental Psychology of Temporal Phenomena
  • [1] Jeanne Bamberger., The Mind Behind the Musical Ear: How Children Develop Musical Intelligence.
  • [4] C. Douglas Creelman., Human discrimination of auditory duration.
  • [9] B. Espinoza-Varas and Charles S. Watson., Temporal discrimination for single components of nonspeech auditory patterns.
  • [10] Paul Fraisse., Rhythm and tempo.
  • [12] H. Haken, J.A.S. Kelso, and H. Bunz., A theoretical model of phase transitions in human hand movements.
  • [13] A.R. Halpern and C. J. Darwin., Duration discrimination in a series of rhythmic events.
  • [14] Stephen Handel., Using polyrhythms to study rhythm.
  • [15] Stephen Handel., Listening: An introduction to the perception of auditory events.
  • [16] I.J. Hirsh, C.B. Monahan, and K.W. Grant., Studies in auditory timing I: Simple patterns.
  • [17] M. R. Jones and M. Boltz., Dynamic attending and responses to time.
  • [18] Mari Reiss Jones., Attending to musical events.
  • [22] J. Martin., Rhythmic (hierarchical) vs. serial structure in speech and other behavior.
  • [24] C.B. Monahan and I.J. Hirsh., Studies in auditory timing II: Rhythm patterns.
  • [27] M.A. Pitt and A.G. Samuel., The use of rhythm in attending to speech.
  • [28] Robert F. Port, Fred Cummins, and J. Devin McAuley., Naive time, temporal patterns, and human audition.
  • [29] Dirk-Jan Povel and Peter Essens., Perception of temporal patterns.
• Software Models of Temporal Pattern Processing
  • [5] Peter Desain and Henkjan Honing., The quantization of musical time: A connectionist approach.
  • [6] Peter Desain., A (de)composable theory of rhythm perception.
  • [7] Jeffrey L. Elman., Finding structure in time.
  • [11] Robert O. Gjerdingen., Meter as a mode of attending: A network simulation of attentional rhythmicity in music.
  • [19] Edward W. Large and J. F. Kolen., Resonance and the perception of musical meter.
  • [23] Benjamin O. Miller, Don L. Scarborough, and Jacqueline A. Jones., On the perception of meter.
  • [25] Javier Movellan., Contrastive Hebbian learning in the continuous Hopfield model.
  • [26] Michael C. Mozer., Neural net architectures for temporal sequence processing.
  • [33] Richard.S Zemel, Christopher K. I. Williams, and Michael C. Mozer., Lending direction to neural networks.

Biblography

[1]

Jeanne Bamberger. The Mind Behind the Musical Ear: How Children Develop Musical Intelligence. Harvard University Press, 1991. (Part I Rhythm, pages 19-97 only).

[2]

Manfred Clynes. Some guidelines for the synthesis and testing of pulse microstructure in relation to musical meaning. Music Perception, 7:403-422, 1990.

[3]

Grosvenor Cooper and Leonard B. Meyer. The Rhythmic Structure of Music. The University of Chicago Press, 1960. (Probable focus on hierarchical nature of rhythm.).

[4]

C. Douglas Creelman. Human discrimination of auditory duration. Journal of the Acoustical Society of America, 34(5):582-593, 1962.

[5]

Peter Desain and Henkjan Honing. The quantization of musical time: A connectionist approach. In Peter M. Todd and D. Gareth Loy, editors, Music and Connectionism, pages 150-167. The MIT Press, Cambridge, Mass and London, England, 1991.

[6]

Peter Desain. A (de)composable theory of rhythm perception. Music Perception, 9(4):439-454, 1992.

[7]

Jeffrey L. Elman. Finding structure in time. Cognitive Science, 14:179-211, 1990.

[8]

David Epstein. Shaping Time: Music, the Brain, and Performance. Schirmer Books, 1994. (Main focus on parts specific to coupled oscillators.).

[9]

B. Espinoza-Varas and Charles S. Watson. Temporal discrimination for single components of nonspeech auditory patterns. Journal of the Acoustical Society of America, 80:1685-1694, 1986.

[10]

Paul Fraisse. Rhythm and tempo. In Diana Deutsch, editor, The Psychology of Music, pages 149-180. Academic Press, Inc., New York, 1982.

[11]

Robert O. Gjerdingen. Meter as a mode of attending: A network simulation of attentional rhythmicity in music. Integral, 3:67-91, 1989.

[12]

H. Haken, J.A.S. Kelso, and H. Bunz. A theoretical model of phase transitions in human hand movements. Biological Cybernetics, 51:347-356, 1985.

[13]

A.R. Halpern and C. J. Darwin. Duration discrimination in a series of rhythmic events. Perception and Psychoacoustics, 31:86-89, 1982.

[14]

Stephen Handel. Using polyrhythms to study rhythm. Music Perception, 1:465-484, 1984.

[15]

Stephen Handel. Listening: An introduction to the perception of auditory events. MIT Press, Cambridge, MA, 1989.

[16]

I.J. Hirsh, C.B. Monahan, and K.W. Grant. Studies in auditory timing I: Simple patterns. Perception and Psychophysics, 47:215-226, 1990.

[17]

M. R. Jones and M. Boltz. Dynamic attending and responses to time. Psychological Review, 96:459-491, 1989.

[18]

Mari Reiss Jones. Attending to musical events. In M.R. Jones and H. Holleran, editors, Cognitive Bases of Musical Communication. American Psychological Association, Washington, D.C., 1991.

[19]

Edward W. Large and J. F. Kolen. Resonance and the perception of musical meter. Connection Science, 6:177-208, 1994.

[20]

Fred Lerdahl and Ray Jackendoff. An overview of hierarchical structure in music. Music Perception, 1(2):229-252, 1983-1984.

[21]

Justin London. Some examples of complex meters and their implications for models of metric perception. Music Perception, 13:59-77, 1995.

[22]

J. Martin. Rhythmic (hierarchical) vs. serial structure in speech and other behavior. Psychological Review, 79:487-509, 1972.

[23]

Benjamin O. Miller, Don L. Scarborough, and Jacqueline A. Jones. On the perception of meter. In Mira Balaban, Kemal Ebcioglu, and Otto Laske, editors, Understanding Music with AI: Perspectives on Music Cognition, pages 429-447. MIT Press, Cambridge, MA, 1992.

[24]

C.B. Monahan and I.J. Hirsh. Studies in auditory timing II: Rhythm patterns. Perception and Psychophysics, 47:227-242, 1990.

[25]

Javier Movellan. Contrastive Hebbian learning in the continuous Hopfield model. In D.S. Touretzky, J.L. Elman, T.J. Sejnowski, and G.E. Hinton, editors, Proceedings of the 1990 Connectionist Models Summer School, pages 10-17. Morgan Kaufmann, San Mateo, CA, 1990.

[26]

Michael C. Mozer. Neural net architectures for temporal sequence processing. In A. Weigend and N. Gershenfeld, editors, Predicting the future and understanding the past. Addison-Wesley Publishing, Redwood City, CA, 1994.

[27]

M.A. Pitt and A.G. Samuel. The use of rhythm in attending to speech. Journal of Experimental Psychology: Human Perception and Performance, 16:564-573, 1990.

[28]

Robert F. Port, Fred Cummins, and J. Devin McAuley. Naive time, temporal patterns, and human audition. In Robert F. Port and Timothy van Gelder, editors, Mind as Motion, pages 340-371. The MIT Press, Cambridge, Massachuseetts, 1995.

[29]

Dirk-Jan Povel and Peter Essens. Perception of temporal patterns. Music Perception, 2:411-440, 1985.

[30]

Bruno H. Repp. Composers' pulses: Science or art? Music Perception, 7:423-434, 1990.

[31]

G. Schoner and J. A. S. Kelso. Dynamic pattern generation in behavioral and neural systems. Science, 239:1513-1539, 1988.

[32]

Timothy van Gelder and Robert F. Port. It's about time: An overview of the dynamical approach to cognition. In Robert F. Port and Timothy van Gelder, editors, Mind as Motion, pages 1-44. The MIT Press, Cambridge, Massachuseetts, 1995.

[33]

Richard.S Zemel, Christopher K. I. Williams, and Michael C. Mozer. Lending direction to neural networks. Neural Networks, 7:565-579, 1995.